Artist Statement: Towards the Stockton Bridge, there are moorings for a small variety of boats, all needing to have a tender to come in to shore. The red tender floated like a compass point, waiting for a rarely seen “mother ship”. Over time the red has turned to a very pale pink, but it still points towards the industrial Walsh Island of the Kooragang area. - Holly NcNamee.
Medium: Acrylic paint on paper
Dimensions: 60 x 84 cms
CHG Director's Statement: Maitland artist, Holly McNamee, as her contribution to the National Trusts Heritage Festival, depicts back streets and lanes of some of the historic byways of Maitland and Newcastle, areas maybe not so familiar to the casual passer-by, but viewed by the artist as an integral aspect of a city.
The architectural heritage of a city is often revealed from the rear end of the main thoroughfare. The back view showing the utilitarian side of the building, whether a commercial occupation, or residential, often hidden behind a gracious faade presenting the public street face. Stevenson Place in Newcastle East, with its complex and impressive terraces, topped by ornate parapets, looking outwards to the harbour, hides a multiplicity of chimneys, roof lines and outbuildings serviced by back lanes. The western end of Maitlands High Street also has such examples, but this time with shops lining the main street, residences above, and the rear service lane providing a view of the domestic aspect.
Maitland, typical of a city evolving along a working road, still retains examples of now historic homes which occupied the main road in and out of the commercial heart of the town. Old Maitland Road and High Street are now by-passed by the highway, which keeps the endless flow of traffic from old narrow streets, but perhaps also hiding these architectural gems from the wider public view, something this artist is hoping to rectify.
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